BRAW internalįirst, Sherif tried to address the question of whether shooting BRAW via HDMI (Blackmagic Video Assist) will get you the same results as shooting BRAW internally (by Blackmagic cameras). Picture: The DP Journey BRAW external vs. Sherif has tested these raw formats in DaVinci Resolve (for BRAW) and Final Cut Pro (for ProRes RAW) regarding two main parameters: White Balance and noise. Sherif utilized its own Panasonic LUMIX S1H with its external BRAW and ProRes RAW capabilities and compared the raw outputs to the internal BRAW recording of the Blackmagic Pocket Cinema Camera.

The video tries to explain the differences between BRAW and ProRes RAW when externally/internally recorded, but more importantly, the session demonstrates the main fundamentals of raw imagery and what it means. This ultra-educated and very much brilliant video titled “BRAW or ProRes RAW? The Battle of RAW DOMINATION begins.“ was made by filmmaker Sherif Mokbel from The DP Journey.

Let’s dive into the RAW, or should I say just ‘raw’.

Prores raw davinci resolve support